Fiction Writer's Workshop
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Clarion is an American six-week workshop for aspiring science fiction and fantasy writers. Originally an outgrowth of Damon Knight's and Kate Wilhelm's Milford Writers' Conference, held at their home in Milford, Pennsylvania, United States, it was founded in 1968 by Robin Scott Wilson[1] at Clarion State College in Pennsylvania. Knight and Wilhelm were among the first teachers at the workshop.[2]
The Milford Writer's Workshop, or more properly Milford Writers' Conference, is an annual science fiction writer's event founded by Damon Knight, among others, in the mid-1950s, in Milford, Pennsylvania. It was so named because Knight, Judith Merril, and James Blish lived in Milford when it was founded.[1] It moved to the United Kingdom in 1972 and has run successfully ever since on an annual basis.
Judith Merril, James Blish, and Damon Knight founded the Milford Writer's Conference in 1956.[2] It is both a residential workshop and a writers' conference in which published science fiction writers convene over the course of a week to intensively critique stories and samples from novels (usually works in progress) and to workshop ideas on all aspects of SF writing. It is a peer-to-peer conference with no teachers or students.
An honorary committee is elected annually at the AGM held during the Milford week. The 2015 committee (elected 2014) comprised: Sue Thomason (Chair), Liz Williams (Secretary), Tina Anghelatos (Treasurer), Jacey Bedford (Vice-Chair, Website and Mailing Lists), Kari Sperring, and Karen Williams. Committee members are listed on the workshop's official web site.
Participants must have sold at least one science fiction story to qualify for attendance, and relative newcomers to publication are welcomed, though participants often have multiple novel and/or short story sales to their credit. Qualification details are quoted on the workshop's official website.
Milford is the model for other peer-to-peer science fiction writer workshops, including the Turkey City Writer's Workshop, the Clarion Workshop and the Clarion West Writers Workshop.[citation needed]
Manuscripts are distributed beforehand. Everyone reads, critiques, and prepares before the formal workshop begins. Etiquette precludes participants from discussing the manuscripts beforehand either with the author or other members of the critique group. The participants sit in a circle. The author whose work is being critiqued must sit in silence through the first part, in which each participant in turn is allowed an uninterrupted four minutes (timed) to deliver their critique. Then the author has an uninterrupted right to reply. Following that a general discussion ensues. Constructive criticism is strongly encouraged. In the last few years it has become acceptable for the critiqued manuscripts to be given back to the author, complete with notes.
During the seven-day on-campus workshop, you will develop your talent while exploring broad issues of craft through intensive workshops, craft talks, and reading published work. There are 10 -12 writers in each workshop. You will have the opportunity to meet individually with your workshop leader and to participate in a group reading. Visiting writers deliver additional readings and craft talks. Because we write to be read, we will offer panels of agents, editors and literary journals for discussions and pitch sessions. Participants with book-length manuscripts will be invited by their instructors to participate in pitch sessions following the agent panel.
The Writer's Workshop Review publishes the best in creative nonfiction and fiction from established and emerging writers. We love strong narratives, compelling characters, stories told with style, verve and wit. Send us narrative nonfiction, personal essays, short stories, short shorts, as well as travel, food and wine writing with a strong narrative element. We prefer submissions of 1000 to 2500 words, with the exception of short shorts, and occasionally will consider something longer. We also publish one interview per issue on the art and craft of writing.
Poets & Writers lists readings, workshops, and other literary events held in cities across the country. Whether you are an author on book tour or the curator of a reading series, the Literary Events Calendar can help you find your audience.
The Time Is Now offers weekly writing prompts in poetry, fiction, and creative nonfiction to help you stay committed to your writing practice throughout the year. Sign up to get The Time Is Now, as well as a weekly book recommendation for guidance and inspiration, delivered to your inbox.
Each year the Readings & Workshops program provides support to hundreds of writers participating in literary readings and conducting writing workshops. Learn more about this program, our special events, projects, and supporters, and how to contact us.
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Students will have the opportunity not only to learn writing skills, but be able to tour the Strawberry Plains Campus and interact with professors, administrators and other students. At the end of the workshop, students will be able to perform or recite their original works; family members and teachers are invited to attend the showcase.
This long-standing US workshop enrols beginning writers who are interested in writing sf. It consists of intensive writing and discussion sessions under the direction of known sf writers, who have included Orson Scott Card, Terry Carr, Samuel Delany, Thomas M Disch, Harlan Ellison, Karen Joy Fowler, John Kessel, Damon Knight, Nancy Kress, Margo Lanagan, George R R Martin, Ursula K Le Guin, Tim Powers, Lewis Shiner and Kate Wilhelm. The first three sessions were held at Clarion State College in Pennsylvania in the summers of 1968-1970. In 1971 "Clarion East" was held in Tulane University and "Clarion West" in Seattle. Clarion West held workshops 1971-1973 and then folded, but was later re-established in Seattle (every summer from 1984), where it remains. In 1972 Clarion East moved to Michigan State University, where it remained (as just Clarion; 39 sessions to 2006). From 2007 Clarion moved to the University of California at San Diego, a move that has created some geographical confusion, since it placed Clarion almost as far west as Clarion West, so it is often referred to as Clarion at San Diego. It is still there at present.
Clarion in its various guises has been notably successful, more so than most writers' workshops, and has produced notable alumni. These include Ed Bryant, F M Busby, Octavia E Butler, Ted Chiang, Gerard F Conway, Cory Doctorow, George Alec Effinger, Nicola Griffith, Eileen Gunn, Bill Johnson, James Patrick Kelly, Vonda N McIntyre, Kim Stanley Robinson, Lucius Shepard, Bruce Sterling and Lisa Tuttle. The original director of Clarion was Robin Scott Wilson, who also edited the first three anthologies of students' and teachers' work: Clarion: An Anthology of Speculative Fiction and Criticism from the Clarion Writers' Workshop (anth 1971) and its two sequels as detailed below. Clarion SF (anth 1977) was edited by Kate Wilhelm; The Clarion Awards (anth 1984) edited by Damon Knight covers the previous six years of Clarion. [PN] 781b155fdc